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| All images and original writing © 2004-2008 Meg Fox All rights reserved This material may not be reproduced in any form without the author's express written permission. |
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| “The child must know that he is a miracle, that since the beginning of the world there has never been, and until the end of the world there will not be, another child like him.” |
| ~Pablo Casals |
| Meg Fox began playing the violin at the age of 5. Classical music performance background includes solo recitals, chamber music and orchestral concerts with organizations such as Carmel Bach Festival, Ernst Krenek Music Festival, Monday Evening Concerts for the Southern California Chamber Music Society, live radio broadcasts for KFAC-FM Sunday Concerts, The Los Angeles Chapter of the National Association of Composers, U.S.A., and the American Society of University Composers. In addition, Meg has over 30 years of experience playing for the Motion Picture, Television, Recording and Live Concert industries. Her career has included a diverse range of performances from live concerts with jazz legends including Frank Sinatra and Ella Fitzgerald to recordings for rhythm and blues great Ray Charles and rock and industry icons such as Carly Simon, Linda Ronstadt, Christopher Cross and Madonna. Her work with studio orchestras such as MGM, Warner Brothers, Paramount Pictures, Universal Studios, Walt Disney Pictures, 20th Century Fox, NBC/TPI, and Turner Entertainment /Television can be heard on an extensive list of award winning Recordings , Television, and Motion Pictures. Education and Resume Artist's Statement In November of 1990, during a recording session for Godfather III, it began to rain—the first storm after a long LA drought. In the words of Meg’s husband, jazz guitarist Jim Fox ,“We were headed home, westbound on the infamous 101 freeway. Little did we know that on the other side of an upcoming crest, a double tractor trailer semi was beginning to fishtail across the highway. While it was still in motion, we barreled into it along with a half dozen other cars.” The impact crushed two vertebrae in Meg's back, but thankfully the burst-fractured bone splinters just missed reaching her spinal cord. Four years of physical therapy included a year of hand therapy to restore full range of motion to her left hand, and after eight years she was able to fully give up use of a cane for walking. Throughout her recovery, she turned to her love of visual art and discovered her true passion. She created a line of nationally distributed greeting cards for Recycled Paper Greetings, and what began as a greeting card for a baby shower evolved into a story, Meiying, Beautiful Flower—a fairy tale based upon symbolism found in chinese art and folklore. In 1999, travel to the city of Gaomin in the Guangdong province of China to help bring home a friend's baby daughter inspired her to create a Meiying, Beautiful Flower Book/CD giftpack and to perform a musical puppet theater version of Meiying, Beautiful Flower in a number of venues including chapters of Families With Children from China. It would be nearly a decade before this journey would lead to an awakening to the truth about the trauma of abuse in her own childhood and she would document her journey of healing through the arts with the project Of Nettles and Deliverance. |
| Meg was able to return to playing the violin part-time in 1997. She began touring with her husband, Jim, throughout the USA, Canada, and Japan performing with orchestras including The Henry Mancini Orchestra and most recently, with Frank Sinatra, Jr. and The Terry Woodson Orchestra. Sinatra, a true storyteller, stands alone as the last remaining performer to work exclusively with a full orchestra performing, in concert, original arrangements of legends including Nelson Riddle, Billy May, Don Costa. Today, concentrating primarily on her love for the therapeutic power of the arts, Meg remains commited to helping childhood trauma survivors connect to the healing power of their own creativity through her blog, Healing Through Visual, Literary and Performing Arts. She can also often be found on "the other side of the glass" in the sound booths of recording studios creating digital collage for CD covers. |


| Listen to Meg's solo violin sound HERE “Goodnight Moon” St Vincent's Court: Romance Dance; Kim Carnes re-released in 2003 |
| Working on Lightweave for CD cover Photo By Bob Barry May 2007 Studio A Capitol Records Hollywood, California |

